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Khutzeymateen bear hunting for clams May 2019.

Khutzeymateen bear hunting for clams May 2019.

How to fall in love with grizzly bears in 3 days.

Leila Boujnane January 18, 2021

Flying back from the Khytzeymateen Grizzly Bear Sanctuary in British Columbia, I swore I would take the time as soon as we landed to write about the adventure while the details were still fresh. But here I am, a few months short of two years, just finding the time to do that! 

In 2017, British Columbia banned trophy grizzly bear hunting. You probably don’t remember that or did not even know that grizzlies were hunted in British Columbia. I still remember the little victory dance I did! It was about time. It had been a long 30 year battle for indigenous people, a number of conservation organizations and animal rights activists. And that day I thought: I am going to spend time with grizzlies, one of these days!

Fast forward to 2019. I initially started thinking about joining Andy Parkinson in one of his trips to the Kamchatka peninsula (Russia) and mentioned it to my friend Stephen, who sent me a link to Ocean Light II Adventures. The Ocean Light II trip to the Khytzeymateen sounded amazing, but as I have never spent significant time on a boat, I wanted a land alternative. As it turns out, there are no land alternatives close to the Khutzeymateen Bear Sanctuary, except for the Khutz Lodge which happened to be managed by Jamie Hahn whom I met 15 years ago (but that’s a story for another time!). I am still planning on joining Andy in one of his Kamchatka trips, but I wanted to get my feet wet with a trip close to home.

I headed to the Khutzeymateen Bear Sanctuary in May 2019. Being able to spend time with such incredible bears was both humbling and transformational. Coming in on a floatplane from Prince Rupert, the scenery was jaw-dropping and included fjords, pristine coastline, forests, snow-capped mountains and an abundance of wildlife.

The Khutzeymateen Provincial Park [a.k.a. Khutzeymateen/K’tzim-a-deen Grizzly Bear Sanctuary] was established as a park dedicated to the preservation of grizzlies and their natural habitat. At 44,300 hectares, the park represents the first undisturbed estuary of its size to be protected along the north coast of British Columbia. This land and marine sanctuary’s topography is diverse, with rugged peaks towering to 2100 metres above a valley of wetlands, old-growth temperate rainforests, and a large river estuary.

Managed in partnership by British Columbia Parks, the Coast Tsimshian First Nations, and the Gitsi'is Tribe collaboratively, this is the one place where the bears come first. The whole 450km2 conservancy is protected from hunting and logging, and access is strictly controlled to ensure the minimum disturbance to the habitat and its wildlife. No human is permitted to set foot in Khutzeymateen. And that’s the attraction! Incidentally, Khutzeymateen (K’tzim-a-deen) is a Tsimshian word that seems to have two meanings: “Valley at the head of the inlet” or “Confined space of salmon and bears.” Both are very fitting.

The Khitzeymateen Grizzly Bear Sanctuary is home to an estimated 40 to 60 grizzlies who depend on the area for their survival. It is hard to imagine a place devoid of humans and a perfect habitat for grizzlies and a myriad of other wildlife, including orcas, humpback whales, wolves, seals and a large number of birds, but this sanctuary is it! 

Although nobody is allowed in the park, thousands of visitors venture up here in late spring to view the magnificent bears in their natural environment. They usually encounter grizzlies (Ursus arctos horribilis) by drifting in small zodiacs along a fjord at the park’s edge.

The month of May can be one of the best times to view grizzlies in the sanctuary. The grizzlies hibernate until April and emerge from their hibernation hungry and proceed to spend most of their waking hours eating to gain weight. The bears feed on Lyngbye’s Sedge (Carex lyngbyei), which grows in the Sanctuary. I tasted it; it tasted pretty good. The bears spend their entire day chewing on sedge and keeping their head down, making photography difficult! 

Getting to the sanctuary from Toronto was an adventure. The trip included a flight from Toronto to Vancouver, another shorter flight to Prince Ruppert, and a floatplane right to the Khutzeymateen Wilderness Lodge, afloat in a small cove. 

Stepping off the floatplane unto the Khutzeymateen Wilderness Lodge’s dock, we were welcomed by the lodge team. We unloaded our luggage and almost immediately headed out to try and find grizzlies. It did not take long; within 20 minutes, we saw our first grizzly!

The Khutzeymateen Wilderness Lodge team was exceptional at spotting bears and helping us to see them in their habitat. You would think that spotting a bear would be easy, but for the first few hours, I spotted mostly tree trunks that looked like bears, large stones that looked like bears and dark brown areas that guess what? Looked like bears! 

On our first day, we saw 14 grizzlies! This grizzly trip is a trip I plan to repeat as soon as we get rid of Covid, and travelling is no longer akin to playing Russian roulette with your life. 

In Travel
Its-what-I-do.jpg

BOOK REVIEW: IT'S WHAT I DO: A PHOTOGRAPHER'S LIFE OF LOVE AND WAR

Leila Boujnane July 5, 2020

I have a fondness for photography books which almost verges on an obsession. I enjoy spending time in my off-grid cabin where there is nothing more enjoyable than sitting down to a photobook while the outside is blanketed in snow. I love being able to look into the world in complete stillness through a photographer’s lens. Sometimes the photobook is a walk down memory lane as one looks at familiar landscapes and world events. Other times, it is a descent into the unknown, tragedy and conflict. As I started photographing, I found I knew very little about the world of photography. Reading is how I learn, so I started purchasing photo books and reading!

When I mentioned to my photographer friend Stephen that I wanted to start writing short photo book reviews, I could hear his eyes rolling (we were on the phone)! Photobook reviews? Like writing words on a page? Yeah, that’s never going to happen! And where would you do this? In your current blog? The blog you post to once or twice a year? Who are we kidding here? And where would you find the time to do this? True words were never spoken! Given my work and schedule, it indeed seems impossible that I would be able to find the time to write photobook reviews in any shape or form!

Let’s have some fun and take a page out of Muhammad Ali’s book and say: Impossible is nothing! My photobook library is growing and it is time I introduced you to some incredible photographers. Plus, I haven’t commuted to work due to COVID-19 for a few weeks, I have put that time to good use!

Today I am going to start not with a photobook per se, but Linsey Addario’s memoir: “It’s What I Do: A Photographer’s Life of Love and War”. This is cheating a little bit I know but not to worry, I will follow up with a review of her photobook “Of War and Love”.

I came across Lynsey Addario’s work on the pages of the New York Times years ago. I remember reading a photo credit and realizing Lynsey was in Afghanistan and thinking what the hell is she doing in Afghanistan? This was before other photojournalists arrived in Afghanistan. Addario has covered just about every major conflict and humanitarian crisis of our generation, including Iraq, Yemen, Darfur, Libya, Syria, Lebanon, South Sudan, Somalia, and Congo. “It’s What I Do,” chronicles her personal and professional life as a photojournalist coming of age in the post-9/11 world. To get a feel for the breadth of her work, take a look at her editorial prints.

Lynsey Addario began her photography career for the Buenos Aires Herald in Argentina in 1996 without any previous photography experience. Today, Addario is one of America’s most accomplished conflict photographer. She does not just photograph wars, but the world’s injustices, conflicts, displacements and oppressions. Everywhere she goes, she bears witness, constantly making the decision not to stay home and travel to cover the stories that need to be told. Being behind the viewfinder is where she wants to be and in those moments, nothing else matters. In her book, we follow along in her journey.

For her work, Addario has won a Pulitzer Prize and a MacArthur fellowship, she has been named one of the five most influential photographers of the last twenty-five years (American Photo) and one of 150 Women Who Shake the World (Newsweek).

Following her kidnapping in Libya in 2011, and the subsequent deaths of her friends and colleagues Tim Hetherington and Chris Hondros in Libya, Addario decided to process her kidnapping and survival experience by writing a memoir. Addario’s memoirs take us along as a driver-side passenger while she is covering difficult assignments. I was struck by her openness to talk about her fears, being a woman in a male-dominated field, her dubious choices in love, loss and her unwavering desire to get her stories out.

Addario grew up in a family of hairdressers, in what she describes as a hippie home. She was a self-taught photographer who started her photography career when she moved to Argentina after college. Her first break was an assignment from the Associated Press to photograph transgender-prostitues in the Meatpacking District in 1999 amidst a spate of ignored homicides. This was her first long-term assignment and her first opportunity for a real photo-essay. In true Addario style, she spent weeks venturing out in the Meatpacking District “to make inroads into the seemingly impenetrable world of transgender prostitutes.” She travelled with a local organization that distributed condoms and information on sexually transmitted diseases and never took out her camera! Getting close to her subjects required earning their trust. 

Transgender prostitutes in the Meatpacking District in New York, 1999.

Transgender prostitutes in the Meatpacking District in New York, 1999.

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In 2000 she travelled to Afghanistan to photograph women living under the Taliban. Not only did she manage to land a visa to Afghanistan, but she also photographed people while photography was banned!

Post 9/11 brought on a series of assignments including Iraq, South Korea, Haiti, the Middle East, Syria, Sudan, Democratic Republic of Congo.

As Addario, herself mentions, her type of photography “bears witness to history, and influences policy.” Throughout her career, she has given a voice to the voiceless and has been a champion of forgotten conflicts. Anywhere she goes, there is a story aching to get out and policies worth championing. Her book in its frankness and emotional honesty engages and moves the reader: if getting these photographs is worth the risks that Addario and her colleagues take daily, it behooves us to look. And understand the conflicts around us. And influence policy. And drive change.

Hanaa rides to work at a plum orchard before dawn along with other Syrian refugees from her informal tented settlement in the Bekaa Valley in Lebanon, August 3, 2015. Hanaa and her family fled Syria in 2011 at the beginning of the Syrian civil war a…

Hanaa rides to work at a plum orchard before dawn along with other Syrian refugees from her informal tented settlement in the Bekaa Valley in Lebanon, August 3, 2015. Hanaa and her family fled Syria in 2011 at the beginning of the Syrian civil war and moved to this settlement two years ago.

Syrian refugees line up for one of two daily hot meals distributed by  Insani Yardim Vakfi, IHH, at the Bab al-Salam camp at the Syrian side of  the country’s border with Turkey, in Syria, February 11, 2013.  Roughly  800,000 Syrians have been displ…

Syrian refugees line up for one of two daily hot meals distributed by Insani Yardim Vakfi, IHH, at the Bab al-Salam camp at the Syrian side of the country’s border with Turkey, in Syria, February 11, 2013. Roughly 800,000 Syrians have been displaced to neighboring countries by the fighting across Syria, and the aid to refugees has been marred by politics.

Afghan policewomen handle AMD-65 rifles at a dusty firing range outside Kabul. They are trained by carabinieri, Italian military police from the local NATO troops. Joining the police force is a bold decision for an Afghan woman. Insurgents often att…

Afghan policewomen handle AMD-65 rifles at a dusty firing range outside Kabul. They are trained by carabinieri, Italian military police from the local NATO troops. Joining the police force is a bold decision for an Afghan woman. Insurgents often attack the police. Very few women get permission to sign up from their husbands and male relatives. Of 100,000 officers, only about 700 are female.

North Darfur. Soldiers with the Sudanese Liberation Army wait by their truck while stuck in the mud and hit by a sandstorm in North Darfur, Sudan, August 21, 2004.

North Darfur. Soldiers with the Sudanese Liberation Army wait by their truck while stuck in the mud and hit by a sandstorm in North Darfur, Sudan, August 21, 2004.

Kenyan women await food handouts and nutrition checks by Doctors without Borders during an ambulatory therapeutic feeding program for severely malnourished children in villages across Turkana, Kenya, August 15, 2011.

Kenyan women await food handouts and nutrition checks by Doctors without Borders during an ambulatory therapeutic feeding program for severely malnourished children in villages across Turkana, Kenya, August 15, 2011.

Pick up her biography anywhere you usually get your books. You will not be disappointed. It is beautifully written, emotional, and will nudge you out of your comfort zone to leave you with a better understanding of our world conflicts and a desire to change things.

If you would like to learn a bit more about Lyndsey Addario I would suggest the following videos and interviews. These segments are wonderful companions to the book:

  1. Rukmini Callimachi, New York Times foreign correspondent and three-time Pulitzer Prize finalist, moderates a conversation with Pulitzer Prize-winning New York Times photojournalist and best-selling author Lynsey Addario: https://www.youtube.com/watch?v=Wo2XVvbK7FQ

  2. From the front lines of Libya: https://www.marieclaire.com/politics/news/a6193/photojournalist-lynsey-addario/

  3. Lindsay Addario tells the story behind five war photos:https://newrepublic.com/article/120983/lynsey-addarios-its-what-i-do-and-stories-behind-5-photos

  4. Lynsey Addario: ‘War journalists are not all addicted to adrenaline. It’s a calling’ https://www.theguardian.com/books/2015/apr/05/lynsey-addario-war-journalist-interview-its-what-i-do

  5. Inside the Story: Photojournalist Lynsey Addario Documents Three Families’ Search for Asylum


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